wow |
this is right up my street i love tapping it is awsome and this is tapping of the highest stansdard. Very proffessionly recorded to.
How come I can't rate this song?! |
I wanted to give it a good rating, but the rating things not there-what gives?
This thing was being overdone before the start of the 90's. The great obstacle for guitar players is to actually think about the music they're trying to make. Many guitarists, apparently you're included in this mix, spend years honing their chops and learning scales and different chord types and polyrhythms to add variety to their inherent lack of real musical insight. Just because you can consistently tap 16th notes over an entire composition using seemingly little chordal insight doesn't make you a well rounded musician. I don't know who did the drums for that, but a good song uses all of the instruments to its advantage, and, quite frankly, with how poorly thought out the drums are, you might have done better using just a metronome. Speaking of which, instead of considering this...work...a song, why don't you use it as some sort of warm up and then dive into a real theory book...you know, with chordal and structural insight...Speaking of which, this song has practically no structure. If you're going to spew out 16th notes, at least check out ternary or binary form...it saved Bach's ass. Also speaking of which, Bach generally started and ended in the same key. You should also consider doing this. Learn how to write.
Great tapping. The sound quality is excellent, and the tone if the guitar is perfect for the tapping. The progression is good aswell and the solo at the end is a good change.
song |
I can see you're a good guitarist, but I need to hear more melody.
It's sort of like driving a Maserati using just the first gear or two, when it's clear that you have to stretch out her legs, so to speak. You have a lot of patience, if I could play and move as well as you, I'd be gone bye-bye because the backround is so wide open, you could play anything over it. Think Journey's solo/ending of "Who's cryin' now?"
I like the 5 chord use all over the place.
I played it three times or so. I'd LOVE a hook. If you had a simple hook think Stones' "The last time". You have to leave the show with that one melody stuck in your head. I think everything needs keys and vocals, but I don't know what I'd sing. Maybe my ears are getting tired; I've been up here quite awhile, and then got sucked in like when I found deadmalls.com and rotten.com. The second might be a bit much for someone out there-very "faces of death."
It's sort of like driving a Maserati using just the first gear or two, when it's clear that you have to stretch out her legs, so to speak. You have a lot of patience, if I could play and move as well as you, I'd be gone bye-bye because the backround is so wide open, you could play anything over it. Think Journey's solo/ending of "Who's cryin' now?"
I like the 5 chord use all over the place.
I played it three times or so. I'd LOVE a hook. If you had a simple hook think Stones' "The last time". You have to leave the show with that one melody stuck in your head. I think everything needs keys and vocals, but I don't know what I'd sing. Maybe my ears are getting tired; I've been up here quite awhile, and then got sucked in like when I found deadmalls.com and rotten.com. The second might be a bit much for someone out there-very "faces of death."
goos song, repetitive though
I dont what some of these assholes are hating on , I love shred guitar! Love those two handed tapping pull offs. dig the arpegio at the end and the always famous pentatonic =) Perhaps some tremolo picking . . . now thats shred. Good fuckin job my man. I dig!
DJ randygroove
www.myspace.com/djrandygroove
DJ randygroove
www.myspace.com/djrandygroove
hmmm... |
I enjoy tapping quite a bit, but this seemed a bit slow and very repetitive. great recording and good skills though.
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