Max has summed up.
What's your guitar set-up?
I recently put some quality Seymour Duncan pick ups into an Epiphone les paul standard. I can get a great blues tone from the rhythm pick up similar to what you have created here. I much prefer this type of guitar tone to some modern super hot pick ups. Vintage style are so much warmer for a start, more feel, more musical, more versatile.
From memory I choose a proven established Seymour Duncan set. They are sometimes referred to at "hot rodder" or 35th anivessary. I'm pretty sure the rhythm pick up is one on their jazz pick ups, sometimes I prefer the jazz tone to my arch top. SD's website is great, it can select the best pick ups for the sound you want based on the style and type of wood on your guitar, you can sample the sounds to.
Hmm we could create bandAMP backing tracks and get them on bandAMP official youTube
What's your guitar set-up?
I recently put some quality Seymour Duncan pick ups into an Epiphone les paul standard. I can get a great blues tone from the rhythm pick up similar to what you have created here. I much prefer this type of guitar tone to some modern super hot pick ups. Vintage style are so much warmer for a start, more feel, more musical, more versatile.
From memory I choose a proven established Seymour Duncan set. They are sometimes referred to at "hot rodder" or 35th anivessary. I'm pretty sure the rhythm pick up is one on their jazz pick ups, sometimes I prefer the jazz tone to my arch top. SD's website is great, it can select the best pick ups for the sound you want based on the style and type of wood on your guitar, you can sample the sounds to.
Hmm we could create bandAMP backing tracks and get them on bandAMP official youTube
Thanks for the listening and good words. Appreciate it 
This are fully improvised, no punching or edits whatsoever (although it would have come handy in more than one place ).
On my own pieces though I do a lot of fills and punching, but usually no edits.
Guitar is Gibson Les Paul with Classic 57 pickups through Diezel Einstein. I think I used a Suhr Kokoboost or NAudio Firesound for slight edge, but not quite sure. I usually do just guitar/amp.
You know, Denis, it takes quite some time to move from the hot pickups to vintage ones (although there are some vintage hot pickups). I know, it took me 15 years It takes some knowledge to be build.
I used to have an Epi Les Paul, which I modded with SD '59 neck & JB bridge with few other tweaks on the setup mostly - had a great, great tone.
These days it seems to have ended in one of the popular bands here locally. I've seen it on stage couple of times - still proud with it and sounded great
Bandamp backing tracks - YEAH - count me in! Excellent idea.
This are fully improvised, no punching or edits whatsoever (although it would have come handy in more than one place
). On my own pieces though I do a lot of fills and punching, but usually no edits.
Guitar is Gibson Les Paul with Classic 57 pickups through Diezel Einstein. I think I used a Suhr Kokoboost or NAudio Firesound for slight edge, but not quite sure. I usually do just guitar/amp.
You know, Denis, it takes quite some time to move from the hot pickups to vintage ones (although there are some vintage hot pickups). I know, it took me 15 years
It takes some knowledge to be build.I used to have an Epi Les Paul, which I modded with SD '59 neck & JB bridge with few other tweaks on the setup mostly - had a great, great tone.
These days it seems to have ended in one of the popular bands here locally. I've seen it on stage couple of times - still proud with it and sounded great
Bandamp backing tracks - YEAH - count me in! Excellent idea.
Goosebumps on the git-tone. So smooth, expressive, strong, beefy, clear. Thatīs what I epext from a "Paula".
This sort of jamtrack-noodling is a good exercise, good practice.
Keep up the noodle....................
................................................................hi hi
U.L.I.
This sort of jamtrack-noodling is a good exercise, good practice.
Keep up the noodle....................
................................................................hi hiU.L.I.
synchu wrote…
This are fully improvised, no punching or edits whatsoever (although it would have come handy in more than one place
On my own pieces though I do a lot of fills and punching, but usually no edits.
.
editng should be the last thing in a solo, punch is a great thing.
great job for one taker
Thanks
Although you're generally right on editing, it happens more often than you would think (certainly less than editing drums or vocals for example).
Accidental noises, hits, fades in/out, although last might be considered artistic edits, cause apart from using a volume pedal there's no really other way to do it - however, this changes tone of'course.
Although you're generally right on editing, it happens more often than you would think (certainly less than editing drums or vocals for example).
Accidental noises, hits, fades in/out, although last might be considered artistic edits, cause apart from using a volume pedal there's no really other way to do it - however, this changes tone of'course.
Pretty awesome to me...seems like you are capable of some legato speed gt work and you're also into diminished notes which gives the track a minor 3rd feel or what me and others usually call devil's 3rd...Sounds like,besides blues, some metal is in you too...haha..sweet!
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