First Mix.
More music to come.
Thank you for listening
Would appreciate your feedback!

TL

Why is the horn such a late addition? Great use of wall of sound on your vocals.

Hey welcome to the amp!
This is really an interesting song and I can tell all of you guys have lots of talent. The lyrics and singing got annoying/boring after a little while but thats just me being brutally honest. It sounds like you guys can come up with some really awesome tracks so lets see what you've got up your sleeve!  

How fresh that sounds.  What's this style????
And a great ONE chord piece
Gorgeous voices and vocal layers
Perfect mix

Some of the harmonies remind me of STING.
I quite like it, sort of jazzy feel, Would like the sax player to free up a bit and play some free style.
Perhaps cut the reverb a bit of the vox.

Nice JOB

Thanks for all the feedback everybody!
Dark - The sparse addition of the sax creates its own unique identity.
The Kunadiun - I appreciate your brutality!
Triton - Good question! .
Denis - You flatter us. Live we are more lax and really let it rip.

To everyone, thank you for the compliments. More to come soon!

Hopefully, after 2:20 the sax kicked in, because it was getting quite repetitive, but, dude, this kick ass! The whole idea behind this song is really cool. You do realize you are playing the same structure over and over again so you must work on the dynamism of the arrangements. That's a fact when we talk about repetitive structures.
Oh... wait, I'm listening to it again and it didn't bore me now... well, I still think something more between 1:30 and 2:20 would help a lot. Not that it needs much help because the composition is almost perfect, but yet there's something missing.... OK, I can't even understand what I'm typing but I hope you get the idea.
Now, at 4:00: man, you have to start with a solo there! That's imperative, otherwise you have an unnecessary minute from that point and on.
In the rest of the song the work of the bass and the sax is just perfect! I love the fusion jazz sound this. I think at the 3:00 break the guitar (or the sax) should do some quite of improvisation but not like a solo but more like some psychedelic way, to fill the ambiance.
It's a totally new sound. I've never heard of anything like this before and it has a kind of cathartic atmosphere I love. I guess it reminds me of Kusturica playing fusion, but not even that definition is accurate... Maybe some Mike Patton's influence... who knows!
Sorry for this messy review, but I hope you understand what I mean.

             > Iszil

PS: F*ck, I really love when the sax kicks in!... and please, give me a solo; please!

I totally agree with iszil if you can throw in a solo this would epicly rock 400% more at the parts where there is no solo.